Elgar and the K6

Any depiction in Malvern, Worcestershire, of a Victorian/Edwardian man with a droopy moustache, is invariably a picture of the English composer, Edward Elgar (1857-1934), who lived in the town. A garden near the centre of the settlement features a statue of him. A would-be Banksy must be responsible for the cartoon representation placed next to the K6 version of the telephone kiosk, and humour must be the reason for the green mobile phone. A quick image search turned up the original photograph on which the cartoon is based, the modern artist having removed the bicycle that Elgar is holding.

photo © T. Boughen     Camera: Sony DSC-RX100

Eastnor Castle

One look at the location of the castle in today's photograph, overlooked as it is by surrounding hills, tells you that it was not built with defence in mind: that therefore it was constructed during a long period of peace and, despite its towers, battlements, machicolations etc, is a romantic home rather than a defensive fortification. In fact, Eastnor Castle in Herefordshire is the work of the architect Sir Robert Smirke and was built in a Norman Revival style for Earl Somers from 1812 onwards.

photo © T. Boughen     Camera: Olympus OMD E-M10

Harrods drive by

The photograph above was a snapshot from the car as we drove out of London after a few days there at Christmas. Lest you think otherwise I must point out that I was not driving. Christmas and its associated festivities, decorations etc doesn't quite grab me in the way that it did when our children were small. However, I couldn't let this rather effective delineation with lights of the Harrods store pass without a quick snap.

photo © T. Boughen     Camera: Sony DSC-RX100

Grazing the Malverns

The origin of the name Malvern, to describe the range of hills that straddles parts of the borders of Worcestershire, Herefordshire, and a small part of Gloucestershire, is thought to be the Ancient British "moel-bryn" meaning "bare-hill". At the time of their naming this range of hills would have seemed to rise out of densely wooded surrounding countryside and Iron Age people would have seen it as a suitable spot for the defensive earthworks of a hill fort, part of which can be seen in the photograph. The Malvern Hills Conservators who maintain this area find that grazing sheep help to keep down the scrub that would otherwise make the bare hills less so.

photo © T. Boughen     Camera: Sony DSC-RX100

The feral pigeon

The feral pigeons that we see in the towns and cities of Britain are the domesticated descendants of the rock dove (Columba livia), a wild bird that is still native to the UK. The feral versions carry the same Latin name even though in many (though not all) instances they look quite different from their wild ancestor. Today the truly wild rock doves inhabit a just a few northerly sea cliff locations. However, their descendants are everywhere. This feral pigeon, perched on a sill at the old Borough Flour Mill at Tewkesbury, Gloucestershire, perhaps saw the building as an inland cliff.

photo © T. Boughen     Camera: Olympus OMD E-M10

Pediments and mistletoe

The pediment, the triangular shape above windows and doors that derives from ancient Greece, is common throughout Britain. During the eighteenth and nineteenth centuries the popularity of the classical styles of Greece and Rome ensured that columns, capitals, balusters, and classical moulding of antique origin proliferated. This facade, in late afternoon sunlight at Ludlow, Shropshire, is quite typical of those years. What is less typical in this photograph is the balls of mistletoe visible in the leafless tree nearby. This is very common throughout the Marches but quite unusual elsewhere.

photo © T. Boughen     Camera: Olympus OMD E-M10

Watery willow tree

The semi-abstract reflections that objects make in water has always fascinated me. That's partly because it's not until you have the photograph that you know precisely how the image will look. This shot was taken on the River Avon near Tewkesbury, Gloucestershire, last December before the willows had lost all their leaves. The swirling patterns that the water imparts to the reflected trees reminds me of some of the brushwork in Van Gogh's later paintings.

photo © T. Boughen     Camera: Olympus OMD E-M10

A wooden font

The fonts of English churches are usually made of stone, sometimes with a lead lining to the bowl. However, in the eighteenth century wood gained a little popularity and the wood carver's art was turned to the embellishment of these baptismal objects. Today's photograph shows a detail of the carved bowl of the wooden font in St Mary Magdalene, near Croome Court in Worcestershire. The church is in the "Gothick" style i.e. a self-conscious eighteenth century re-working of Gothic at a time when the classical style was ascendant. It was built in 1763 and there is no reason to believe that the font doesn't date from that time.

photo © T. Boughen     Camera: Olympus OMD E-M10

A new place to live

My silence over the past several months has been due to us moving house, this time to Herefordshire and the area sometimes known as the Marches i.e. the buffer counties adjoining the border with Wales. So, the flatness of the Lincolnshire Fens is behind us and we now live in a an area of small cities (Hereford, Gloucester and Worcester), small towns and villages. The landscape is rolling hills and valleys with higher prominences, mainly pasture but with some arable and a lot of orchards and fruit growing. As ever, my photography will reflect where I live, but will be interspersed with images from farther afield.

Here is a low key start - a field of winter wheat by a wood at Eastnor, Herefordshire.

photo © T. Boughen     Camera: Sony DSC-RX100