Wednesday, 30 October 2024

Old crane, Gloucester Docks


When planning the transformation of an old docks into new recreational areas of water and former warehouses that feature flats and offices it must have been difficult to get the balance between old and new. Gloucester Docks made quite good choices in this regard, and retained enough, but not too much of the old. This crane has no practical function today other than to stir the visitor's imagination. My conversion of a colour photograph of the crane and its surroundings into black and white helps further in this regard.

photo © T. Boughen     Camera: Nikon Z 5

Monday, 28 October 2024

Dried flowers and grasses


click photo to enlarge

There are a number of methods of flower preservation including hot air drying, silica gel drying, freeze drying and pressing. However, the most common, least difficult and consequently most widely favoured, is hanging small bunches in a well-ventilated area away from direct sunlight. We have a couple of vases of dried flowers and grasses. I'm no expert on suitable plants for drying but in our displays I can recognise lavender, poppy, yarrow and hare's tail grass. In the past we have had teasel and Physalis (Chinese Lanterns). I photographed  a detail from one of our vases as I cast about for a subject on a recent wet and dull day.

photo © T. Boughen     Camera: Olympus OMD E-M10

Saturday, 26 October 2024

The bus station

click photo to enlarge
This is the second photograph of Gloucester bus station that I've posted. The first was taken from inside on a bright day and featured the silhouettes of people. I took today's photograph as I wandered about inside and out looking for shots rather than sitting and waiting for our bus. For this photograph I hung about until the people in the glazed waiting areas on the right had filled the buses, leaving a view to the far end of the interesting building.

photo © T. Boughen     Camera: Nikon Z 5

Thursday, 24 October 2024

Lierne vaulting, Tewkesbury Abbey


The complex lierne vaulting  above the choir of Tewkesbury Abbey dates from the 1330s. It features unusually bright red and blue paintwork alongside more traditional cream. The bosses are gilded. The central ring of suns were the emblems of the Yorkists and are said to have been added by Edward IV after the defeat of the Lancastrians at the Battle of Tewkesbury in 1471. This was the last important battle of the Wars of the Roses.

photo © T. Boughen     Camera: iPhone

Tuesday, 22 October 2024

Poppyhead, Tewkesbury Abbey choir stalls


The choir stalls at Tewkesbury Abbey were extensively restored in 1879, with new additions, by John Oldrid Scott. He incorporated some medieval misericords and other old work with his own designs. The photograph shows one of the "poppyheads" on the north side, two winged creatures below with grapes, leaves and tendrils above. Poppyhead is a word derived from the French "poupee" meaning doll or puppet, and describes the 3-part finial carving of the end of a wooden bench or stall.

photo © T. Boughen     Camera: Nikon Z 5

Sunday, 20 October 2024

Willow pattern plate


Since about 1994 I have eaten food from willow pattern plates and bowls. It is thought that this design originated in England towards the end of the C18 when the blue and white ware of the Chinese Qing dynasty was very popular. A standard design evolved in the potteries around Stoke on Trent that had a white background with a blue water-side landscape of trees, a bridge with three figures, buildings, a fishing boat, two birds, a fence etc. The design appears to have been in production ever since those early days. A story about the willow pattern characters was written to help promote interest and sales of the crockery. Our version is the work of the Churchill company and has proved remarkably hard wearing.

photo © T. Boughen     Camera: Olympus OMD E-M10

Friday, 18 October 2024

Prior Park footbridge, Great Malvern


Most civic parks worth the name feature a small lake and most of these small lakes incorporate a footbridge. That's certainly the case at Prior Park in Great Malvern, Worcestershire. Here the bridge is constructed of unvarnished timber that, almost inevitably, has something of the Chinoiserie about it.


That oriental flavour isn't as obvious as in the timber bridge at Croome Park, but it has a sprinkling of characteristic features that derive from the popular blue and white willow pattern of crockery dating from the C18 and later.

photos © T. Boughen    Camera: Nikon Z 5

Wednesday, 16 October 2024

Methodist Chapel, Monmouth


Contrary to the Listing information about this Grade II* building Monmouth's methodist chapel is not "prominently sited". In fact, it has to be searched out and is easily missed, being built back from the street line. It was designed by the architect G.V. Maddox and a panel supported by scrolls in the pediment proclaims the date of its completion as 1837. Maddox gave the building a classical facade with Ionic columns at ground level supporting a porch, Ionic pilasters on the first floor, triangular pediments over the rectangular ground floor windows and round-topped windows in recessed arches above. It is a fine composition that deserved a more public location. A small step in making it better seen by the passing public would be the removal of the bushes that impair the view.

photo © T. Boughen     Camera: Lumix FZ1000 2

Monday, 14 October 2024

Autumn acer leaves


There isn't a season (winter, of course, excepted) when an acer tree doesn't have a show of beautiful leaves. In previous gardens we have had a few acers; in the present garden just the one. But this solitary specimen has beautiful red leaves in spring, foliage that goes well with a blue sky, and a fine mixture of orange and greens in autumn that even that season's ravages of insects, wind and rain cannot dull.

photo © T. Boughen     Camera: Olympus OMD E-M10

Saturday, 12 October 2024

Ornate pulpit, Huntley


St John Baptist, Huntley in Gloucestershire is a 1861-3 rebuilding of a medieval church by the architect, S.S. Teulon. He demolished everything except the west tower which he remodelled. For this work he was given plentiful funds by Rev. Daniel Capper, the rector from 1839-1865, and he delivered a no-expenses-spared building constructed with costly materials to give an opulent effect. Possibly the most lavish piece is the pulpit made of English, Irish and Italian marbles.

photos © T. Boughen     Camera: Nikon Z 5