Trees and shadow

One of the advantages of living in an area with a relatively large amount of tree cover is that having a walk on very hot days can be much more pleasant. In a recent spell of clear skies and high temperatures we were able to plan walks that followed sheltered tracks and woodland. The shade kept the direct sun off us and the trees themselves reduced the overall temperature by a few degrees. The dappled light also threw interesting patterns on the ground. This photograph is of my shadow (wearing a hat - you can't be too careful)!

photo © T. Boughen     Camera: Lumix FZ1000 2

Cloisters, Gloucester Cathedral

Cinematic representations of the Middle Ages have begun to correct one of the most glaring errors that were perpetrated when representing those relatively primitive times. I mean, of course, the amount of light that was to be found inside buildings. It is hard for us to imagine how gloomy it was with only feeble flames to illuminate interiors, and the license of film-makers was understandable. Would cinema audiences be prepared to peer at the the dimly recognisable faces of actors in the darkness? Possibly not. But more light-sensitive cameras combined with realistic levels of lighting now frequently, and satisfactorily, portray those dingy days. I pondered this as I photographed my wife walking through the pools of shadow and light in the cloisters of Gloucester Cathedral.

photo © T. Boughen     Camera: Sony DSC-RX100

Talbot Arms at night

As with the previous photograph, the main subjects of this shot are the filament, LED and moon light that illuminate a building. In this instance it is the Talbot Arms pub in Settle, North Yorkshire. The pub's sign is also well lit and its clarity anong the surrounding pools of light suggested a focal point for a composition. The talbot was a type of large hunting hound, white or very pale in colour, with hanging ears and great powers of scent. It features reasonably commonly on coats of arms.

photo © T. Boughen     Camera: Sony DSC-RX100